Signs and symbols rule the world, not words nor laws ~
Confucius
"Media wants to ferret out your unconscious anxieties so it can exacerbate
them, so it can make you more emotionally unwell because anxious neurotic people
make better consumers."--August
Bullock
Obama uses his thumb and forefinger pressed together as a hidden (deep
structure) hypnotic anchor. He also uses it to deliver hypnotic commands.AN EXAMINATION OF OBAMA'S USE OF
HIDDEN HYPNOSIS TECHNIQUES IN HIS SPEECHES
According to Tonya Reiman, Author of "The Power of Body Language,” such a
head tilt to the right is "one of the most powerful manipulation tools of body
language."157 Tonya Reiman describes how
there is no difference between what such gestures and manipulation. Barack Obama
is actually manipulating you subconsciously by tilting his head without you even
consciously realizing it. The reason is that tilting your head to the right
specifically is a sign of vulnerability, a very effective one. Per our animal
instincts, a head tilted to the right exposes an animal’s jugular vein, their
weakness, and in turn, causes us to lower our defenses subconsciously as a
counter-measure, without even being consciously aware of it. This is a clear
example of Obama intentionally using a subconscious technique for gaining trust
and lowering the subconscious guard and resistance of his audience, using one of
the most powerful manipulation tools of body language.
AN EXAMINATION OF OBAMA'S USE OF
HIDDEN HYPNOSIS TECHNIQUES IN HIS SPEECHES
There are two types of subliminals that were
used in this time period. One was the psychic overlay just described. There were
also true sonic subliminals. Many people will remember the Beatles' record where
"Paul is Dead" was recorded 30 db below the chorus. There are other ways to do
this as well. "Paul is dead" could also be recorded backwards in the chorus.
Whatever method is used in the sonic route, it can be just as effective as the
psychic overlay.
The music was basically formulated
to be hypnotic and grab your attention and entrain the person listening. But, in
the psychic overlay technique, I realized we could put in whole messages.
Basically, I discovered that what I concentrated on as I ran the mix board and
watched the tape going through the machine was just as important as what the
sound actually sounded like at the other end. I finally got to a point where I
had an interim step between the mix down and the final master. This consisted of
me making a dub or a copy and concentrating on the recorder head as the copy was
being made. That is where the psychic overlay was particularly successful.
When I explained this psychic
overlay technique to Phil Spector, he said he did not believe me and wanted to
see proof of it. Consequently, we set up an experiment. As we did the dub, I
concentrated on a phone number. When the record was finally released, we got
thousands of calls to that number. The message got through to people. The
psychic overlay was impressed into the master tape and from there to the vinyl.
When the record was played on the radio station or in the home, people got the
idea to pick up the phone and dial this particular number. It should be pointed
out that there was no phone number mentioned in the music. We were very careful
to have a piece of music where there was no phone number in the lyrics or
any-where else. A special phone was set aside for the experiment, but he did not
keep track of the individual calls......In 1970, I
built a studio out at Montauk. There, we were far more concerned about
subliminals than audio function........However, the
agenda at Montauk was much more bizarre and far-reaching than just adding in
subliminals. There were a number of record producers in cahoots with this
operation. They would sign up a group they felt might be popular and could sell
a lot of records. Upon reporting to their local studio to record, the group was
abducted and taken out to Montauk where a broadcast recording was made. After
being programmed, they returned home thinking they had made the record at their
local studio. [2000] Music of Time by Preston Nichols
This one particular album, [Judas
Priest’s] Stained Class, which was the subject of the case – these
boys had listened to it and committed suicide. Six hours, over and over and over
again. They knew the words, they knew everything about it. Then they took the
shotgun and went down to the churchyard. One blew his head off.....So
[the attorneys] gave me a record [Stained Class] and I took it home. Wow! There
was all kinds of stuff hidden in that thing! The theme of this whole genre of
music was suicide… We took the lyrics and transcribed them – I don’t think
they’d ever been transcribed – and began to analyse them: ‘who’s talking to who
about what?’.....
Well, [Better by You, Better than Me] was
inducement to suicide … The total content of that thing was subliminal. I
analysed the lyrics. What does it mean? OK, it’s a young man, talking to Satan,
his god, asking Satan to talk to his mother and tell her what a noble thing his
life had been, how good he was. Because he was going to kill himself. Now, it’s
there. It’s not a conjecture, or an opinion thing. I mean, you can cite that out
of the lyrics. …
Then [there were the] embeds: I found that one voice
that was put in, I did a spectroscopic analysis of it, it was Halford the lead
singer and in between the phrasing, the singer takes a breath and in between the
phrasing they put ‘Do it! Do it! Do it! Do it!’ at increasing levels in the
stereo. Now, that was dubbed in after the thing was made.
[2005] Interview with Wilson
Bryan Key
when he shakes their hand such as after the debate, Obama does an additional
touch on the arm or shoulder of his opponent. He is not being friendly here. He
does this to purposely appear "commanding” and "in charge” to his audience. He
is showing that he has the right, power, and authority and confidence to touch
this person.
AN EXAMINATION OF OBAMA'S USE OF
HIDDEN HYPNOSIS TECHNIQUES IN HIS SPEECHES
When viewers see a symbol inserted into a film, this event draws up memories
of past encounters with that symbol, and of any messages or themes attached to
that symbol. This is often what some people call an "unconscious" or
"subliminal" process. I call it "unreflective", for the simple reason that most
people are just not paying any attention to the influences that affect them
deeply. Of course everyone wants to leap on the "Illuminati eye" as a blatantly
repetitive symbol these days. That's a misguided judgment, and I'll get to that
part soon. An example of a less obvious Signature Symbol is the
gargoyle. Any film or other production
featuring even brief glimpses of gargoyles is announcing that it has the
Illuminati stamp of approval.
....The second option is influence over the music attached to a project.
Film music - well, music in general - holds a powerful influence over viewers
and listeners. Similar musical themes across various projects excite
unreflective (or subliminal) memories even more deeply than do visual symbols.
[2011
Aug] Illuminati Inspect Every Hollywood Script
Subliminals are hidden suggestions that only your subconscious perceives. They can be
audio, hidden behind music, or visual, airbrushed into a picture, flashed on a screen so
fast that you don't consciously see them, or cleverly incorporated into a picture or
design.
Most audio subliminal reprogramming tapes offer verbal suggestions recorded at a low
volume. I question the efficacy of this technique if subliminals are not perceptible, they
cannot be effective, and subliminals recorded below the audible threshold are therefore
useless. The oldest audio subliminal technique uses a voice that follows the volume of the
music so subliminals are impossible to detect without a parametric equalizer. But this
technique is patented and, when I wanted to develop my own line of subliminal
audiocassettes, negotiations with the patent holder proved to be unsatisfactory. My
attorney obtained copies of the patents which I gave to some talented Hollywood sound
engineers, asking them to create a new technique. They found a way to psycho-acoustically
modify and synthesize the suggestions so that they are projected in the same chord and
frequency as the music, thus giving them the effect of being part of the music. But we
found that in using this technique, there is no way to reduce various frequencies to
detect the subliminals. In other words, although the suggestions are being heard by the
subconscious mind, they cannot be monitored with even the most sophisticated equipment.
If we were able to come up with this technique as easily as we did, I can only imagine
how sophisticated the technology has become, with unlimited government or advertising
funding. And I shudder to think about the propaganda and commercial manipulation that we
are exposed to on a daily basis. There is simply no way to know what is behind the music
you hear. It may even be possible to hide a second voice behind the voice to which you are
listening. The series by Wilson Bryan Key, Ph.D., on subliminals in advertising and
political campaigns well documents the misuse in many areas, especially printed
advertising in newspapers, magazines, and posters.
The big question about subliminals is: do they work? And I guarantee you they do. Not
only from the response of those who have used my tapes, but from the results of such
programs as the subliminals behind the music in department stores. Supposedly, the only
message is instructions to not steal: one East Coast department store chain reported a 37
percent reduction in thefts in the first nine months of testing.
A 1984 article in the technical newsletter, "Brain-Mind Bulletin," states
that as much as 99 percent of our cognitive activity may be "non-conscious,"
according to the director of the Laboratory for Cognitive Psychophysiology at the
University of Illinois. The lengthy report ends with the statement, "these findings
support the use of subliminal approaches such as taped suggestions for weight loss and the
therapeutic use of hypnosis and Neuro-Linguistic Programming."
The
Battle for Your Mind: Brainwashing Techniques Being Used On The Public By Dick
Sutphen
"Almost all people of all eras are hypnotics. Their beliefs are induced
beliefs. The proper authorities saw to it that the proper belief should
be induced, and people believed properly."--Charles Fort
"The unconscious mind is the source of our
energy. No amount of will power exerted by the conscious mind can override it.”
--Modern Hypnosis Theory and Practice, Masud Ansari,
Ph..D., p43.
"It is known that the Unconscious, whether personal or collective works by
means of pictures or images, speech being a comparatively recent development.
[...] Magic [...] speaks to the subconscious mind of man through the archaic
images of its symbols and rituals, and thereby produces those "changes in
subconscious” which the magician seeks.”
- W. E. Butler, Magic; It’s Ritual, Power and Purpose
"The symbols in the 'ice-cubes' may seem invisible but
hypnotic research has shown 95% 'pickup'. The subconscious can take in an
astounding amount of visual information. This information filters its way
up to consciousness by way of what is socially acceptable. The rest is to
remain in the subconscious where it later emerges in the form of desires and
wants that are satisfied only through acts of consumption."
The Leaked Ad Training Document Part 2 The Great
Subliminal Message Deception
Considering the fact that members of occult societies like the Freemasons
study Magic and the power of symbols, there is little doubt that many corporate
logos apply this ancient knowledge. Some logos are even suspected to be sigils,
symbols that have been magically charged to focus the subconscious to perform
particular tasks. In other words, they’re more powerful than you think.
http://vigilantcitizen.com/vigilantreport/occult-symbols-in-corporate-logos-pt-1/
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